Dressing The Air is the brainchild of the London-based artist Paul Schütze.

In a career spanning 30 years, Schütze has exhibited his photographic and installation works in galleries and museums around the world, released over thirty albums of original recordings, scored a number of films and performed numerous concerts. He has collaborated with artists such as James Turrell, Josiah McElheny and Isaac Julien and musicians as diverse as Bill Laswell, Raoul Björkenheim, Toshinori Kondo, Lol Coxhill and Jah Wobble.

Dressing The Air is a unique open resource that aims to enrich creative thinking by encouraging a multi-sensory approach. A constantly evolving archive and creative news feed, Dressing The Air monitors and reports on a diverse range of art-forms from cinema to sculpture, painting to furniture design, land-art to perfumery.

dressing the air: the bureau of sensory intelligence

a creative resource to provoke and inspire

The movement of movement
MIKIKO + elevenplay + Rhizomatiks

The movement of movement

3D projection mapping has become a ubiquitous element in large scale pubic events, installation works and commercial presentations. So far the surfaces for projection have been conveniently stationary: buildings, backdrops etc. The very considerable step of applying animated projection to moving objects, in this case dancers, promises some remarkable potential applications. One can imagine it being used to camouflage moving objects, to reveal things in plain sight and to introduce a hyper-kinetic information soaked orgy of detail where previously we simply had actors walking on-stage. Is there a threshold beyond which the mind may refuse to decode visual complexity or will our senses continue to evolve and accommodate our apparently insatiable thirst for information.

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"And so we leave behind the turbulence of symbols and approach a country that is immense, ancient, and yet very new, where meaning is so discrete as to become a rarity. From this moment on, a new territory is revealed: that of delicacy, or, better yet (I venture using this word, at the risk of having to take it up again later), of blandness."
- Roland Barthes (on China), 1975, Alors la Chine?